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| about us |
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We are always looking for co-workers, editors, and reviewers.
Currently, the team is composed of:
Elie Michel Harfouche
architect l editor in chief
Studied architecture at ALBA, worked in contracting, interior design, architecture and urban planning firms, but always presented affinity to the narrative side of architecture and design
http://www.elieharfouche.com
Daniela Georges Saliby
graphic designer l creative consultant
Graphic design graduate of USEK, freelancer in search for rooted design beyond the commercial era of our times, believes in the expressive artistic production as means of transcendence.
Suzanne James Maguire
Planner l proofreader
Suzanne is a planner currently working as a researcher in London.
This portal is dedicated to Michel Harfouche and Elias Karaan.
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ARCHILEB is redefining its online presence and is currently looking for collaborators. If interested please email: info@archileb.com
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| services |
Archileb offers a range of services including but not limited to the below:
Graphic Design
Web Design
Research
Advertising
Graphic Design
If you are looking for a simple business card design or for a complete corporate identity, Archileb’s team will be with you from the brainstorming phase, into the creation, to the completion of all corporate identity items (logos, letterheads, invoices, receipts, brochures, etc…).
For further assistance, you can email us at services@archileb.com.
Web Design
In the line of its strong belief in the future of the internet as the ultimate exchange medium, Archileb offers you the opportunity to join the cyberspace family, a move that will revolutionize the way you were conducting your business or exchanging your ideas.
Whether you need a simple homepage, a comprehensive corporate presence, or a full e-commerce solution; Archileb’s team will develop your website by registering your domain name, designing your website, developing, hosting, maintaining and marketing it.
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Research
Since Archileb is a web tool, we offer you the opportunity to benefit from its online experience conducting thorough researches and presenting a comprehensive concise listing of e-content.
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Archileb represents a perfect promotional partner for societies and bodies working in the following fields, and wishing to benefit from the site’s highly targeted traffic, ongoing promotion and publicity drives:
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Archileb can be useful in orchestrating instrumental email campaigns touching specific subjects or through its monthly newsletter and will enable you to reach Architects, Interior Designers, Landscape Architects, Civil Engineers, Researchers, Critics, Students, Suppliers…)
You can choose between our 4 advertising programs:
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| goals |
Archileb’s main goal is to become one of the best regarded architectural sites on the internet, dipping in the wide array of possibilities offered by the development of information and communication technologies, to focus on Lebanese architecture from the documentation and analysis of its past, through the promotion and objective criticism of its present, to the initiation of its future to the infinite landscape of options offered by the digital age.
Archileb will try to:
•Set itself as an informative medium providing current updates on news, events, competitions as well as people and products, an exploration tool and an articulate database of knowledge retrievable in controlled configurations.
•Incarnate a digital interaction platform encouraging collaboration and exchange between local, regional and international designers, planners and builders.
•Act as a laboratory for experiments and discussions in quest for rooted, projective and narrative architecture in the realms of the information age.
•Satisfy the need for critical discourse and initiate and investigation on the changes that are occurring to our ideas of community, architecture and space; enhancing cultural structure and social awareness, and promoting architecture and art as an integral part of the daily urban experience.
•Play a dynamic role in initiating Lebanese and international audience to the wide array of possibilities offered by the development of information and communication technologies, and thus offering a firm basis on which to postulate and explore future possibilities.
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| manifesto |
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While technology driven factors are influencing our increasingly information oriented society, leading to the formation of the “connected mind” individual; and as the physical and the virtual embrace each other ever more tightly, contaminating architecture with conceptions and practices that are sometimes vestigial, sometimes revolutionary, and always transformative; contemporary Lebanese architectural production drawns between revivals of an already contested heritage and “modern” downloads of uncontextual artifacts.
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Type: Governemental
| Start Date: January 2000 |
End Date: October 2004 |
Location: Edinburgh-Scotland Architect: EMBT/RMJM Contractor: Bovis Len Lease Client: The Scottish Parliamentary Corporate Body
| Built up Area: 29, 321 m2 |
Budget: 431 million pounds |
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by Don Barker
Don Barker is a freelance writer and photographer in London, who has lived and worked in Europe, Australia, Thailand, Sri Lanka, Hong Kong, and Singapore. He is a contributing editor to ArchitectureWeek and writes for several periodicals in the United Kingdom.
On October 15, 2005, the winner of the United Kingdom's prestigious Stirling Prize was announced. This year the honor went to the new Scottish Parliament, which has been hailed as one of the most innovative designs in Britain today. It is a vastly ambitious and complex building, and to visit it is a hugely rewarding experience: there is so much to take in, so many architectural and metaphorical references, so many technical challenges surmounted.
Early in October, the building received the Andrew Doolan Award for Architecture from the Royal Incorporation of Architects in Scotland, who described it as a "magnificent achievement" and "a rich array of symbolism."
Yet it is easy to see why the project was beset by public controversy due to budget overruns and scheduling delays. Such a building had simply never been built before.
The Parliament sits at the foot of Edinburgh's Royal Mile in front of Holyrood Park and Salisbury Crags. One of the key aspects of the overall design is that it nestles in the landscape rather than sitting high and aloof. Architect Enric Miralles's ambition, which he never deviated from, was to have the building "growing out of the land."
Drawing inspiration from organic shapes in the surrounding landscape and from upturned boats on the seashore, the Scottish Parliament is part of the country it represents rather than a symbol of power overlooking its people. From its siting and form comes the realization that this Parliament truly represents the Scottish people.
In early 2005, the building was awarded the Edinburgh Architectural Association (EAA) Centenary Medal, the highest accolade the association gives to any project. EAA President, Colin Gilmour, congratulated the winning architects for "having the vision, courage, and stamina to create a masterful piece of architecture which all of Scotland should be proud of."
Scotland's Expression
Having been given devolved power from the United Kingdom's central Government in 1997, Scotland set about building the country's first new parliament in 300 years. A year later, the firm EMBT/ RMJM — a joint venture combining Enric Miralles Benedetta Tagliabue of Barcelona and the Scottish firm RMJM — was appointed to design a new complex.
Miralles led the concept design in the initial stages. His vision was a parliament building that would be "de-institutionalized, aggregated, and organic; embracing the landscape and defying all the canonical rules of architectural composition." The firm's competition entry suggested something fresh and unusual with the building depicted in a collage of leaves and sticks.
"The parliament should be able to reflect the land it represents. The building should arise from the sloping base of Arthur's Seat and arrive into the city almost surging out of the rock," said Miralles. Sadly he never saw the fruits of his labor. He died in 2000, but his fundamental principles remained firmly in place.
Many Places in One
To refer to the Scottish Parliament as one building is a misnomer. It is a complex made up of several interlinked buildings: the private offices for the Members of Scottish Parliament (the MSP Building), the historic Queensberry House, the MSP foyer, the towers, Canongate Wall, the public foyer, and the debating chamber.
Within this complex there are two primary circulation routes; one takes MSPs from their offices via a garden foyer to the committee rooms and debating chamber. The other route directs the public from the entrance lobby to the public gallery.
Relationships and alignments between the land, the people, and the building ensure there is an all-encompassing identification for everyone and everything; 16,000 construction drawings are testament to that.
Complex structural engineering is evident throughout. For example, the MSP formal entrance canopy is a 52-foot (16-meter) cantilever that supports two Vierendeel trusses converging to a razor sharp point. This entrance forms an almost discrete passageway into the inner courtyards.
In contrast, just around the corner, is the public entrance that opens directly into the almost ecclesiastical subterranean public foyer. Twisted precast concrete columns support the concrete ceiling, with its indents of the saltire (the cross on the Scottish flag) interspersed on the surface of the concrete vaults. The spatial result resembles a cathedral crypt or an undercroft, yet it is all above ground.
This grand hall contains all the welcoming and informative functions that characterize the open institution: reception, information, education, shop, cafeteria, facilities for school children, and TV screens broadcasting the various proceedings of the Parliament.
Members Only
On the other side of the site is the MSP building, which runs along the western edge of the 4-acre (1.6-hectare) site and completes the distinctive "rigg" (built along stone ridges) plan of the medieval city which was built on a craggy landscape. This building houses the offices of the MSPs and their support staff. Up to six stories high, it steps down at its southern end to four stories in response to the parkland beyond.
The inner east elevation contains a playful geometric pattern of drainage hoppers with diagonal gutters that carry rainwater down to ground level. On its west elevation is a unique, projecting window seat for each MSP office, which allows the occupant to sit "outside" the building in contemplation.
The "grade A listed" Queensberry House has been restored on the outside to James Smith's design of 1697 but has been fitted with modern office interiors.
The MSP foyer is at the heart of the complex, linking all the areas of the building. Its roof consists of a curved roof plane into which are nestled thirteen leaf-shaped roof lights, which allow daylight to flood the space.
The roof structure is the center point of the chamber. Depicting an all-encompassing hand, its 112 nodes are themselves works of art in stainless steel. Each one was individually detailed and fabricated by MSD Design Ltd., an Aberdeen-based company normally associated with the oil industry.
Environmental Efficiencies
Fundamental in the design of the Scottish Parliament building was the drive to minimize the use of energy in its operations. The site was previously occupied by a brewery, which used boreholes to provide water. This water is now used for cooling.
Eighty percent of the building is naturally ventilated. Mechanical air-handling and comfort-cooling are restricted to those spaces where large groups are assembled for prolonged periods. Thermal mass is provided in the extensive exposed concrete absorbing daytime heat gains and in the free cooling provided from the boreholes. All the oak used in construction was Scottish, thus reducing the energy consumption and costs of importing wood.
Security for the buildings is an important feature, hence the use of various blast-resistant cladding materials including granite, slate, timber, and precast concrete.
However architectural statements have not been neglected in deference to this functional requirement. As well as being blast proof, the concrete Canongate Wall commemorates the presence through history of the Parliament in the old city by a collage of quotations from Scottish literature. The natural association with the land is symbolized by diverse pieces of stone referring to the geological makeup of the landscape.
If ever there was an example of grand yet nonmonumental "architecture for the people," then Scotland's new Parliament building is its epitome.
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